References
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- Bhabha, H. (1992). The world and the home. Social Text, (31/32), 141-153. doi:10.2307/466222
- Barthes, R. (1977). Image-Music-Text. London: Fontana.
- Barthes, R. (1981). Essais critiques. Paris: Editions du Seuil.
- Chandler, D. (1995). The act of writing: A media theory approach. Aberystwyth: University of Wales.
- Coward, R. & Ellis, J. (1977). Language and materialism: Developments in semiology and the theory of the subject. London: Routledge & Kegan Paul.
- Culler, J. (1981). The pursuit of signs: Semiotics, Literature, Deconstruction. London: Routledge & Kegan Paul.
- Eagleton, T. (1983). Literary theory: An introduction. Oxford: Basil Blackwell.
- Foucault, M. (1974). The Archaeology of Knowledge. London: Tavistock.
- Genette, G. (1997). Palimpsests. Newman, C. & Doubinsky, C. (trans.). Lincoln, NB: University of Nebraska Press.
- Goldschmidt, E. P. (1943). Mediaeval texts and their first appearance in print. Oxford: Oxford University Press.
- Gombrich, E. H. (1974). The visual image. In David R Olson: Media and symbols: The forms of expression, Communication and education. Chicago, IL: University of Chicago Press.
- Kramsch, C. (1993). Context and culture in language teaching. Oxford: Oxford University Press.
- Kristeva, J. (1980). Desire in language: A semiotic approach to literature and art. New York: Columbia University Press.
- Morris, Pam, (1994). The Bakhtin reader: Selected writings of Bakhtin, Medvedev, Voloshinov. London: Edward Arnold Prentice-Hall.
- Nöth, W. (1990). Handbook of Semiotics. Bloomington, IN: Indiana University Press
- Ondaatje, M. (1992). The English patient. New York: Vintage.
- Pynchon, T. (1966). The crying of lot 49. New York: Perennial Fiction.
- Rodowick, D N. (1994). The crisis of political modernism: Criticism and ideology in contemporary film theory. Berkeley, CA: University of California Press
- Sturrock, J. (1986). Structuralism. London: Paladin.
- Tyson, L. (1999). Critical theory today: A user friendly guide. New York: Garland.
- Westerman, M. (2005). FEELING MOVED: Emotion and theory in http://www.jstor.org/stable/41179131
- Wimsatt, W. K. & Monroe C. B. (1954). The verbal icon: Studies in the meaning of poetry. Lexington, KY: University of Kentucky Press.
- Wiseman, B. & Groves, J. (2000). Introducing Lévi-Strauss and structural anthropology. Cambridge: Icon.
Cite this article
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APA : Shafiq, Q., Hayat, M., & Saleem, A. U. (2019). Intertextual Inscription of Diasporic Identity in Ondaatje's The English Patient. Global Social Sciences Review, IV(II), 403-408. https://doi.org/10.31703/gssr.2019(IV-II).52
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CHICAGO : Shafiq, Qasim, Mazhar Hayat, and Ali Usman Saleem. 2019. " Intertextual Inscription of Diasporic Identity in Ondaatje's The English Patient." Global Social Sciences Review, IV (II): 403-408 doi: 10.31703/gssr.2019(IV-II).52
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HARVARD : SHAFIQ, Q., HAYAT, M. & SALEEM, A. U. 2019. Intertextual Inscription of Diasporic Identity in Ondaatje's The English Patient. Global Social Sciences Review, IV, 403-408.
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MHRA : Shafiq, Qasim, Mazhar Hayat, and Ali Usman Saleem. 2019. " Intertextual Inscription of Diasporic Identity in Ondaatje's The English Patient." Global Social Sciences Review, IV: 403-408
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MLA : Shafiq, Qasim, Mazhar Hayat, and Ali Usman Saleem. " Intertextual Inscription of Diasporic Identity in Ondaatje's The English Patient." Global Social Sciences Review, IV.II (2019): 403-408 Print.
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OXFORD : Shafiq, Qasim, Hayat, Mazhar, and Saleem, Ali Usman (2019), " Intertextual Inscription of Diasporic Identity in Ondaatje's The English Patient", Global Social Sciences Review, IV (II), 403-408
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TURABIAN : Shafiq, Qasim, Mazhar Hayat, and Ali Usman Saleem. " Intertextual Inscription of Diasporic Identity in Ondaatje's The English Patient." Global Social Sciences Review IV, no. II (2019): 403-408. https://doi.org/10.31703/gssr.2019(IV-II).52