'With Justin Williams' 'spatial justice' and Pierre Bordieu's 'role of gender', this article explores how gender socialization is the outcome of spatial correspondences and how the biological concerns regarding gender, specifically in third world countries like Pakistan, are the catalysts in this process of gender socialization. In this regard, this article delimits Jamil Ahmad's The Wandering Falcon to exhibit the cultural interpellation concerning gender disparity in establishing spatial justice. Space contributes to the socio-political and cultural consciousness that lets the gender know his/her location in a given social boundary. This gendered location is significant concerning a privileged stature of patriarchal/matriarchal mindset and performances. On the other hand, the phenomenon of spatial justice literalizes and materializes these mindsets and performances. This article examines the shift from individual consciousness to a social identity hence locates the impact of space in allocating a role to the gender.

The recent trend of rural-urban migration has consumed most of the open spaces in cities leading to higher build-up to open space ratio. This has adversely affected the ecological balance and environment. This paper is about the Spatio-temporal analysis of three major cities of Pakistan to find the impacts of reduced open spaces between 2000-2015. The data was collected using Google Earth Pro and Arc-GIS. The identified open spaces were classified into six different classes of open spaces. The extracted data was also validated by point data comparison on 30 different locations through Google Earth Pro. The results depict an interesting development as a decreasing trend in open spaces for the years 2005-2010 are shown, while an increasing trend is visible between 2010-2015. Moreover, consumption of open spaces has resulted in many social and economic impacts on the community. Finally, it is recommended that strict policy measures are needed to provide adequate proposition of open spaces in cities and to safeguard the existing stock of open space available in urban areas.

States are investing extensively in outer space to establish military supremacy as it is the new battleground. Space has advanced to become a crucial component of military and security operations in recent decades, posing new opportunities and difficulties for the defence and intelligence communities. However, India is also advancing its capabilities in outer space, and its efforts to militarize space will have a severe impact on Pakistan and the instability in the region. Indian militarization of outer space and pursuit of eventual weaponization will result in a needless arms race between Pakistan and India. The long-standing competition, as well as the mutual deterrence strategy between India and Pakistan, is the principal root cause of instability in South Asia. Pakistan retains the option to adopt directed energy weapons (DEWs) by deploying them in military satellites, which can be used for orbital bombardment.

The epistemological shift from colonialism to postcolonialism refashioned the colonial conceptualization of gender, race, geopolitical locale and sexual orientation to focus on those processes theorized by Homi K. Bhabha as 'in-between spaces'. With the delimitation of Michael Ondaatje's The English Patient (1992), this research explores how these 'in-between spaces' led colonialism and its subjects to the postcolonial / post-World War II milieu. The colonizers were not psychologically resilient enough to survive the hybrid 'in-between space' that dismantled the binary of the self and the other. The post-colonial subject, like the colonial subject, is a collage, not stable or autonomous, because it exists in a hybrid space of the enunciation of two cultures which cannot sustain its independent identity: in The English Patient, the diaspora located at the cultural boundaries of the Europeans and their home countries merges and dissolves into the in-between spaces acquainted with their anxiety and passion of nationhood and the nationlessness.

This study discusses Native American woman's experience of existential outsideness, which is caused by the Euro-American legislative act as represented by Louise Erdrich in her novel Tracks. This research analyzes the role of the Dawes Act of 1887 in triggering the experience of existential outsideness among the Native Americans in general and Native American women in particular. Through Edward Casey Ralph's phenomenological perspective on the notion of spatiality, the study reinterprets the representation of space and place in Louise Erdrich's Tracks. The study offers a spatial reading of a Native American woman's life to explicate how she confronts the issues related to the confiscation of her ancestral lands that trigger her experience of existential outsideness to her land. The study concludes that Euro-American policies of acculturation and assimilation thwarted spatioexistential experiences of Native American women.

The study analyzes the issue of identity under postcolonialism by comparing two postcolonial novels from different countries. The data consists of selected textual passages taken from the two works to invoke comparative study. Hamid presents that America is acting like a Neo-colonial power to show its superiority, while Kincaid evinces the realistic manner that depicts the inferiority of indigenous culture, which is also the result of Neo-colonialism. Postcolonial theory is used as a research methodology. Homi K. Bhaba's concepts of identity, hybridity, mimicry and otherness provide a basic framework for the research. Fanon's concept of national identity will also provide support for the completion of this research. The research concludes that the elite and educated class should seek identity from their own culture rather than adopting the westernized mimic culture, which makes them an inferior race in order to show their own superiority.

With the theory of Moss and Dyck, this study discusses Diane Glancy's The Reason for Crows to understand the insinuations of sensuous geography. This study maintains how in the wake of out-of-place identity within Native American space, Glancy uses sensory experiences as material practices to counter a sense of out-of-placeness. Such multisensory experiences help her native characters locate themselves in both the textual and Native American space. This study explores Diane Glancy's The Reason for Crows not only to find out the reasons due to which the Native Americans develop an acute sense of out-of-placeness within Native American spaces but also the geographies of illness and disability to investigate how Native Americans create and contest their space and place.

The present paper analyzes the novel ‘The Reluctant Fundamentalist’ (2007) from the postcolonial perspective in terms of Cultural Assimilation and Third Space Identity. Postcolonial theory features cultural hybridity and conflictive and conflated identities with a specific focus on theorists like Frantz Fanon’s ‘The Wretched of the Earth’ (1961), Edward Said’s, ‘Orientalism’ (1978) and Homi K. Bhabha’s 8‘Location of Culture’(1994). In the postcolonial context, cultural assimilation refers to cultural domination where the dominant culture seeks to erase indigenous culture and identity, whereas the Third Space Identity is the in-between space where cultural identities are hybridized. In ‘The Reluctant Fundamentalist’ Pakistani expatriate, Changes is filled to the brim with the issue of an identity crisis. After 9/11 he questions his American Dream when he experiences the prejudice of Americans against Muslims. The paper will explore the theme of identity consciousness and crisis that leads to hybridization in the selected text by applying postcolonial theory. The focus of the study will be on Cultural assimilation and Third Space identity and will examine ‘The Reluctant Fundamentalist’ the in pre and post-9/11 literary and socio-political milieu.

Coke Studio (CS, Pakistan) showcases a fusion of various musical genres, from traditional classical, folk, Sufi, ghazal, and qawwali to contemporary hip-hop, rock, and pop. This study explores the adaptation of folk songs within CS through Cardwell's 'meta-text' theory (2002), contending that the essence of the original text is retained in subsequent adaptations. Additionally, it examines the rhizome-like nature of these adaptations. Employing multimodality, the study analyzes folk songs from Coke Studio Season 10, utilizing auditory, visual, and spatial elements to create a cohesive artifact with broad semiotic appeal in today's globalized world. CS's immense popularity underscores its ability to balance aesthetic concerns with technological advancements. Furthermore, the study positions CS as a platform for rediscovering, reforming, and sustaining cultural heritage, catering to the new generation. By blending traditional folk with rock elements and appealing to audiences of all ages, CS bridges the gap between generations, fostering a 'third space' music as proposed by Bhabha (1994). This music is now intertwined with contemporary youth culture, contributing to the emergence of a new national identity. Thus, the adaptations of folk songs in Coke Studio serve as a contemporary reinterpretation of history and cultural heritage, connecting youth with their past while grounding them in the present.