References
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- Ahmad, A., & Ali, A. (2023). A Stylistic analysis of Coke Studio’s selected English songs. Journal of English Language, Linguistics and Literature, 1(1), 1-20.
- Ahmed, D. (2017, August 21). 8 Top Songs from Coke Studio: Pakistan's favorite music show. Odyssey. https://www.theodysseyonline.com/top-pakistani-music
- Bhabha, H. K. (1994). The location of culture. London: Routledge.
- Cardwell, S. (2002). Adaptation revisited: Television and the classic novel. UK: Manchester University Press.
- Chocano, R. (2022). Outsourcing the nation? Musical collaboration, nation-building and neo-liberal logic in Coke Studio Pakistan. Indian Theatre Journal, 6(1), 77-95.
- Coke Studio Episode 3 blends our glorious past with the sounds of tomorrow. (2017, August 25). The News. https://www.thenews.com.pk/latest/225956-Coke-Studio-Episode-3-blends-our-glorious-past-with-the-sounds-of-tomorrow
- Deleuze, G., & Guattari, F. (1993). A thousand plateaus. Minneapolis: University of Minnesota Press.
- Dhanwani, R. (2014). Coke Studio: Remapping translocality-investigating the transnational in its labour, technological, and economic relations. https://www.academia.edu/7064955/COKE_STUDIO_Investigating_the_transnational_in_its_labour_technological_and_economic_relations
- Essid, S., & Richard, G. (2012). Fusion of multimodal information in music content analysis. Multimodal Music Processing, 3, 37-52.
- Fox, D. (2017, January 16). What are the characteristics of a folk song? http://youtubemusicsucks.com/characteristics-of-a-folk-song/
- Keegan-Phipps, S. (2009). Folk for art’s sake: English folk music in the mainstream milieu. Radical Musicology, 4.
- Khadim, T. (2016, August 5). Coke Studio proved that music doesn’t need to be heard, it needs to be felt. Tribune. https://tribune.com.pk/article/38296/coke-studio-proved-that-music-doesnt-need-to-be-heard-it-needs-to-be-felt
- Khan, M. R., & Shahzad, D. S. (2023). Coke Studio: A strategic tool for Pakistan’s cultural diplomacy. Journal of Academic Research for Humanities, 3(4).
- Kranenburg, P.V., Garbers, J., Volk, A., Wiering, F., Grijp, L.P., & Veltkamp, R.C. (2009). Collaboration perspectives for folk song research and music information retrieval: The indispensable role of computational musicology. Journal of Interdisciplinary Music Studies.
- Levin, T. & Cooper, R. (2010). Making a difference through the arts: strengthening America’s links with Asian Muslim communities. Asia Society Special Report.
- Lodhi, A. ((2016, January 23). There is a need for more shows like Coke Studio: Arif Lohar. The Express, Tribune. / https://tribune.com.pk/story
- Mahmood, R. (2017, February 27). Challenges that face Coke Studio 10. The Express Tribune. https://tribune.com.pk/story/1340491/challenges-face-coke-studio-10/
- Moje, E. (2004). Working towards third space in context area literacy: An examination of everyday funds of knowledge and discourse. Reading Research Quarterly, 30(1), 38-70. https://doi.org/10.1598/RRQ.39.1.4
- Monie, S. (2011, June 17). Coke Studio brings people together. India Forbes
- Moye, J. (2013, November 1). Music transcends everything': Coke Studio fuses genres and cultures, creates international franchise. Coca Cola Journey. http://www.coca-colacompany.com/coca-cola-music/music-transcends-everything-coke-studio-fuses-genres-and-cultures-creates-international-franchise
- Nandi, S., & Bhattacharyya, R. (2024, January 20). Promotion of Sufism as the new age spirituality: Analyzing the role of Coke Studio Pakistan. Third Edition Young Researchers' Consortium National Academic Conference on Sufism and Social Harmony: Exploring the Impact on India's Social Fabric, Ma'din Academy, Malappuram, Kerala, India. 7(1), 99-119. https://doi.org/10.51732/njssh.v7i1.69
- Nass, W. (2017, June 30). Sound, space, and the relationship between both- An interview with Rebecca Lee. Designing Sound. http://designingsound.org/2017/06/sound-space-and-the-relationship-between-both-an-interview-with-rebecca-lee
- Nawaz, M. (2016, June 15). Interview with Faisal Kapadia, Coke Studio- Guest post by Minahil.
- Nawaz. Radio Azad. http://www.radioazad.us/interview- faisal-kapadia-coke-studio-guest-post-minahil-nawaz/
- Onwuegbuna, I. E. (2012). Music as an embodiment of culture and philosophy: A survey of Nigerian Folk songs. In C.Krydz Ikwuemesi (Ed.), Astride memory and desire: Peoples cultures and development in Nigeria (291-309). Enugu: ABIC Books.
- Pisk, M. (2009). Folklore studies and presentations of folk song traditions of Slovenian-Friulan border area. Traditiones, 38(1), 117-130. https://doi.org/10.3986/Traditio2009380108
- Powrie, P. (2006). Outing the synch: music and space in the French heritage film. In M
- Prlselac, M. (2016, August 29). Livestreaming: Coke music’s latest hit with artist and fans. Coca
- Qaisar, K. (2019). Sign, Simulacra and the Hyperreal in Coke Studio Sufi Sing. Kashmir Journal of Language Research, 22(1)
- Rana, S. K. (2015). Revitalization of music by Coke Studio. The Lahore Times. http://www.lhrtimes.com/2015/08/16/revitalization-of-music-by-coke-studio/
- Rank, S. (2010). Twentieth-century adaptations of Macbeth: Writing between influence, intervention, and cultural transfer. Peter Lang. https://tribune.com.pk/story/26285/if-india-boasts-about-taj-mahal-pakistan-should-boast-about-coke-studio/
- Sabeeh, M. (2009, June 21). Coke Studio and beyond: The wonderful world of Umber and
- Shaw, R. (2010, December 4). Pakistan pop music takes on the Taliban. The Atlantic. https://www.theatlantic.com/international/archive/2010/12/pakistani-pop-music-takes-on-the-taliban/67485/
- Staff, J. (2013, August 29). Coke Studio. Coca Cola Journey. http://www.coca-colacompany.com/
- Stop everything: This is the best song of Coke Studio and we’re not joking. (2017, August 18). https://www.mangobaaz.com/tinak-dhin-wow
- Williams, R. D., & Mahmood, R. (2020). A soundtrack for reimagining Pakistan? Coke Studio, memory and the music video. BioScope: South Asian Screen Studies, 10(2), 111-128. https://doi.org/10.1177/0974927619896771
- Abid, S., Bilal, M. Z., & Begum, A. (2022). Music and trans culturalism: Analyzing the role of Coke Studio music in Pakistan. Pakistan Journal of Social Research, 4(3), 933-943. https://doi.org/10.2139/ssrn.4622050
- Ahmad, A., & Ali, A. (2023). A Stylistic analysis of Coke Studio’s selected English songs. Journal of English Language, Linguistics and Literature, 1(1), 1-20.
- Ahmed, D. (2017, August 21). 8 Top Songs from Coke Studio: Pakistan's favorite music show. Odyssey. https://www.theodysseyonline.com/top-pakistani-music
- Bhabha, H. K. (1994). The location of culture. London: Routledge.
- Cardwell, S. (2002). Adaptation revisited: Television and the classic novel. UK: Manchester University Press.
- Chocano, R. (2022). Outsourcing the nation? Musical collaboration, nation-building and neo-liberal logic in Coke Studio Pakistan. Indian Theatre Journal, 6(1), 77-95.
- Coke Studio Episode 3 blends our glorious past with the sounds of tomorrow. (2017, August 25). The News. https://www.thenews.com.pk/latest/225956-Coke-Studio-Episode-3-blends-our-glorious-past-with-the-sounds-of-tomorrow
- Deleuze, G., & Guattari, F. (1993). A thousand plateaus. Minneapolis: University of Minnesota Press.
- Dhanwani, R. (2014). Coke Studio: Remapping translocality-investigating the transnational in its labour, technological, and economic relations. https://www.academia.edu/7064955/COKE_STUDIO_Investigating_the_transnational_in_its_labour_technological_and_economic_relations
- Essid, S., & Richard, G. (2012). Fusion of multimodal information in music content analysis. Multimodal Music Processing, 3, 37-52.
- Fox, D. (2017, January 16). What are the characteristics of a folk song? http://youtubemusicsucks.com/characteristics-of-a-folk-song/
- Keegan-Phipps, S. (2009). Folk for art’s sake: English folk music in the mainstream milieu. Radical Musicology, 4.
- Khadim, T. (2016, August 5). Coke Studio proved that music doesn’t need to be heard, it needs to be felt. Tribune. https://tribune.com.pk/article/38296/coke-studio-proved-that-music-doesnt-need-to-be-heard-it-needs-to-be-felt
- Khan, M. R., & Shahzad, D. S. (2023). Coke Studio: A strategic tool for Pakistan’s cultural diplomacy. Journal of Academic Research for Humanities, 3(4).
- Kranenburg, P.V., Garbers, J., Volk, A., Wiering, F., Grijp, L.P., & Veltkamp, R.C. (2009). Collaboration perspectives for folk song research and music information retrieval: The indispensable role of computational musicology. Journal of Interdisciplinary Music Studies.
- Levin, T. & Cooper, R. (2010). Making a difference through the arts: strengthening America’s links with Asian Muslim communities. Asia Society Special Report.
- Lodhi, A. ((2016, January 23). There is a need for more shows like Coke Studio: Arif Lohar. The Express, Tribune. / https://tribune.com.pk/story
- Mahmood, R. (2017, February 27). Challenges that face Coke Studio 10. The Express Tribune. https://tribune.com.pk/story/1340491/challenges-face-coke-studio-10/
- Moje, E. (2004). Working towards third space in context area literacy: An examination of everyday funds of knowledge and discourse. Reading Research Quarterly, 30(1), 38-70. https://doi.org/10.1598/RRQ.39.1.4
- Monie, S. (2011, June 17). Coke Studio brings people together. India Forbes
- Moye, J. (2013, November 1). Music transcends everything': Coke Studio fuses genres and cultures, creates international franchise. Coca Cola Journey. http://www.coca-colacompany.com/coca-cola-music/music-transcends-everything-coke-studio-fuses-genres-and-cultures-creates-international-franchise
- Nandi, S., & Bhattacharyya, R. (2024, January 20). Promotion of Sufism as the new age spirituality: Analyzing the role of Coke Studio Pakistan. Third Edition Young Researchers' Consortium National Academic Conference on Sufism and Social Harmony: Exploring the Impact on India's Social Fabric, Ma'din Academy, Malappuram, Kerala, India. 7(1), 99-119. https://doi.org/10.51732/njssh.v7i1.69
- Nass, W. (2017, June 30). Sound, space, and the relationship between both- An interview with Rebecca Lee. Designing Sound. http://designingsound.org/2017/06/sound-space-and-the-relationship-between-both-an-interview-with-rebecca-lee
- Nawaz, M. (2016, June 15). Interview with Faisal Kapadia, Coke Studio- Guest post by Minahil.
- Nawaz. Radio Azad. http://www.radioazad.us/interview- faisal-kapadia-coke-studio-guest-post-minahil-nawaz/
- Onwuegbuna, I. E. (2012). Music as an embodiment of culture and philosophy: A survey of Nigerian Folk songs. In C.Krydz Ikwuemesi (Ed.), Astride memory and desire: Peoples cultures and development in Nigeria (291-309). Enugu: ABIC Books.
- Pisk, M. (2009). Folklore studies and presentations of folk song traditions of Slovenian-Friulan border area. Traditiones, 38(1), 117-130. https://doi.org/10.3986/Traditio2009380108
- Powrie, P. (2006). Outing the synch: music and space in the French heritage film. In M
- Prlselac, M. (2016, August 29). Livestreaming: Coke music’s latest hit with artist and fans. Coca
- Qaisar, K. (2019). Sign, Simulacra and the Hyperreal in Coke Studio Sufi Sing. Kashmir Journal of Language Research, 22(1)
- Rana, S. K. (2015). Revitalization of music by Coke Studio. The Lahore Times. http://www.lhrtimes.com/2015/08/16/revitalization-of-music-by-coke-studio/
- Rank, S. (2010). Twentieth-century adaptations of Macbeth: Writing between influence, intervention, and cultural transfer. Peter Lang. https://tribune.com.pk/story/26285/if-india-boasts-about-taj-mahal-pakistan-should-boast-about-coke-studio/
- Sabeeh, M. (2009, June 21). Coke Studio and beyond: The wonderful world of Umber and
- Shaw, R. (2010, December 4). Pakistan pop music takes on the Taliban. The Atlantic. https://www.theatlantic.com/international/archive/2010/12/pakistani-pop-music-takes-on-the-taliban/67485/
- Staff, J. (2013, August 29). Coke Studio. Coca Cola Journey. http://www.coca-colacompany.com/
- Stop everything: This is the best song of Coke Studio and we’re not joking. (2017, August 18). https://www.mangobaaz.com/tinak-dhin-wow
- Williams, R. D., & Mahmood, R. (2020). A soundtrack for reimagining Pakistan? Coke Studio, memory and the music video. BioScope: South Asian Screen Studies, 10(2), 111-128. https://doi.org/10.1177/0974927619896771
Cite this article
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APA : Saddiqa, A., Chauhan, F. S., & Asif, A. (2024). Coke Studio: Adaptation of Folk Songs for Bridging Cultural and Generation Gap. Global Social Sciences Review, IX(I), 145-157. https://doi.org/10.31703/gssr.2024(IX-I).13
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CHICAGO : Saddiqa, Ayesha, Fatima Sajid Chauhan, and Adeen Asif. 2024. "Coke Studio: Adaptation of Folk Songs for Bridging Cultural and Generation Gap." Global Social Sciences Review, IX (I): 145-157 doi: 10.31703/gssr.2024(IX-I).13
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HARVARD : SADDIQA, A., CHAUHAN, F. S. & ASIF, A. 2024. Coke Studio: Adaptation of Folk Songs for Bridging Cultural and Generation Gap. Global Social Sciences Review, IX, 145-157.
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MHRA : Saddiqa, Ayesha, Fatima Sajid Chauhan, and Adeen Asif. 2024. "Coke Studio: Adaptation of Folk Songs for Bridging Cultural and Generation Gap." Global Social Sciences Review, IX: 145-157
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MLA : Saddiqa, Ayesha, Fatima Sajid Chauhan, and Adeen Asif. "Coke Studio: Adaptation of Folk Songs for Bridging Cultural and Generation Gap." Global Social Sciences Review, IX.I (2024): 145-157 Print.
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OXFORD : Saddiqa, Ayesha, Chauhan, Fatima Sajid, and Asif, Adeen (2024), "Coke Studio: Adaptation of Folk Songs for Bridging Cultural and Generation Gap", Global Social Sciences Review, IX (I), 145-157
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TURABIAN : Saddiqa, Ayesha, Fatima Sajid Chauhan, and Adeen Asif. "Coke Studio: Adaptation of Folk Songs for Bridging Cultural and Generation Gap." Global Social Sciences Review IX, no. I (2024): 145-157. https://doi.org/10.31703/gssr.2024(IX-I).13