Through the integration of the local Yakshagana and the western Brechtian Epic theatre practices, Girish Karnad through Hayavadana (1971) has formed a brilliant theatre show. One theatrical device, apart from the folk-theatre motifs, is the utilization of physical masks on stage. The reading examines different techniques used by Karnad, which provide the staging of masks successful in theatre. It furthermore focuses on the objectives, techniques, and types of mask treatment in expressions of disguise and revelation at the physical level. The purpose of this exploration is to make a complete study of the expressive masks used in Hayavadana (1971) to interpret the proposed reality of the characters. The qualitative approach has been adopted as a methodology where the interpretive method of investigation has been engaged to search for the secreted meanings in the text. Professed through the lens of select theoretical structure, Hayavadana becomes a site of diversity and range.

The study analyzes the issue of identity under postcolonialism by comparing two postcolonial novels from different countries. The data consists of selected textual passages taken from the two works to invoke comparative study. Hamid presents that America is acting like a Neo-colonial power to show its superiority, while Kincaid evinces the realistic manner that depicts the inferiority of indigenous culture, which is also the result of Neo-colonialism. Postcolonial theory is used as a research methodology. Homi K. Bhaba's concepts of identity, hybridity, mimicry and otherness provide a basic framework for the research. Fanon's concept of national identity will also provide support for the completion of this research. The research concludes that the elite and educated class should seek identity from their own culture rather than adopting the westernized mimic culture, which makes them an inferior race in order to show their own superiority.

Throughout history, political instability has been a persistent issue for diasporic communities, exacerbating the challenges they already face. The present research endeavours to examine the impact of political turmoil on diasporic communities, with a particular focus on its role in shaping cultural identity, hybridity, and conflicting loyalties. The present research employs a qualitative analysis to amalgamate a substantial corpus of literature and deduces that diasporas are significantly impacted by political instability and violence, resulting in adverse outcomes such as relocation, trauma, and cultural identity loss. This study delves into the complexity of diasporic identity and the notion of hybridity, frequently linked to diaspora communities. Empirical evidence suggests that diasporic communities frequently experience a sense of estrangement and encounter competing allegiances due to their inability to fully assimilate their cultural heritage into their novel surroundings. Research has demonstrated the significance of comprehending diasporic identities and the obstacles that individuals encounter, particularly within the framework of contemporary political instability.The research findings highlight the need for policymakers and stakeholders to take into account the distinctive perspectives and experiences of diasporas, particularly in light of current political unrest. In order to comprehend and help diaspora groups, it also emphasizes the need for additional research on diaspora identity, cultural hybridity, and competing loyalties.

This study addresses the depiction of cultural hybridity and its ramifications on self-identity within Nadia Hashimi's "Sparks Like Stars" (2021), focusing on the protagonist's challenges and opportunities in navigating multiple cultural identities. The research problem centers on understanding the complex interplay between cultural hybridity and individual identity formation in a postcolonial context. Significantly, This approach adds to questions on how literary autobiographical narratives manage cultural hybridity in contemporary society. Employing Peter Morey's theoretical framework on cultural representation, the study aims to dissect the nuanced portrayal of the protagonist's journey towards self-identity, amidst the backdrop of inherited and acquired cultural influences. The novel's intricate exploration of cultural hybridity's impact on identity and the protagonist's struggle and growth as a postcolonial identity symbol.The study concludes by affirming the essential role of cultural hybridity in shaping complex individual identities, thereby enriching the discourse on postcolonial studies and multicultural literature.