The research attempts to evaluate the depiction of women's oppression in specific postcolonial contexts at the hands of the interlocked power pattern formed by manifold factors like patriarchy, class conflict, religion, ethnicity and imperialism in the selected poetry of the renowned Pakistani poetess Fehmida Riaz, the Latino American Poetess Pat Mora, and the Japanese poetess Sanbonmatsu. It applies the theory of Postcolonial Feminism to bring to the fore the oppression of postcolonial women at the intersection of gender, class, race, religion and culture, hence, offering a critique of Western Feminist discourse and its slogan of sisterhood, which tends to erase heterogeneity in women's situations across the globe. The theory of Third World Feminism as well as the portrayals in these poetic compositions from a variety of postcolonial social formations, highlight the fact that postcolonial women are not a monolithic and archetypal suffering category as presented in Western discourses; instead, their resistant agency and subversive subjectivity also stands at the center of their creative writings.

This research paper foregrounds the postcolonial representation of women in Hyder's River of Fire. The novel covers a large span of history. In the entire novel, the female writer presents a lot of women in the backdrop of socio-political and historical backdrop. The western totalizing and Universalist discourses of feminism do not explain well the scope of representation of women in this novel. Even third-world feminism does not suffice here. The research shows that the novelist consciously writes back the colonial and postcolonial feminist representation of women. The analysis highlights that the question of marginalization and subjugation must be seen with multiple factors such as history, society, culture and class. The novel presents multiple identities of women in the historical flux of more than two thousand years.