References

• Amundsen, J. R. (2013). Performing ideology: Theatricality and ideology in mass performance. (PhD Dissertation). Department of Culture Studies and Oriental Languages, University of Oslo, 1-345. https://julierongvedamundsen.files.wordpress .com/2016/01/avhandling260313.pdf
• Bakhtin, M. M. (198l). Discourse in the Novel. In The Dialogic Imagination, (ed.) Michael Holquist, Austin: University of Texas Press, 259-422.
• Barakat, M. M. (2021). Theatricality of Edward Bond’s Plays. (PhD Thesis). University of Kent.
• Barthes, R. (1967). Seven Photo Models of Mother Courage. Tulane Drama Review, 12(1), 44- 55.
• Barthes, R. (1972). Critical essays. Evanston: Northwestern University Press
• Brecht, B. (1988). Brecht on theatre: The development of anesthetic. London: Methuen
• Eastham, A. (2004). The ideal stages of aestheticism: Theatricality in the fiction and criticism of Pater, Wilde and James. (PhD Thesis). King's College London.
• Féral, J., & Bermingham, R. P. (200). Theatricality: The specificity of theatrical language. SubStance, 31(2/3), 94-108.
• Fischer-Lichte, E. (1995). From Theatre to Theatricality—How to Construct Reality Theatre Research International, 20(2), 97-105
• Fyzee-Rahamin, S. (1938). Invented Gods. London: Herbert Joseph Limited.
• Fyzee-Rahamin, S. (1940). Daughter of Ind. Bombay: New Book Company.
• Held, P. v. (2011). Alienation and theatricality: Diderot after Brecht. NY: Routledge.
• Imre. Z. (2005). Theatre, theatricality and resistance: Some contemporary possibilities. (PhD Dissertation). Queen Mary University of London
• yengar, K. R. S. (1985). Indian writing in English. New Delhi: Sterling Publishers Pvt. Ltd.
• Jean, P., Sarrazac, J. P., & Magnat, V. (2002). The Invention of "Theatricality": Rereading Bernard Dort and Roland Barthes, Substance, 31(2&3), 57-72
• Krysinski, W. (1982). Changed Textual Signs in Modern Theatricality: Gombrowicz and Handke. Modern Drama, 25(1), 3-16.
• Papadi, D. (2007). Tragedy and theatricality in Plutarch. (PhD Thesis). Department of Greek and Latin University College London, University of London.
• Pappas, A. (2019). Performance and theatricality in the poetry of C.P. Cavafy. (PhD Dissertation). Medieval and Modern Languages, University of Oxford.
• Rahman, T. (2015). A history of Pakistani literature in English 1947-1988. Karachi: Oxford University Press.
• Rimmon-Kenan, S. (2002). Narrative fiction: Contemporary poetics. London: Routledge
• Shamsie, M. (2017). Hybrid tapestries: The development of Pakistani literature in English. Karachi: Oxford University Press.
• Winick, C. (1956). Dictionary of anthropology. NY: Philosophical Library Inc, Publishers