This article is an endeavor to provide an insight into Native American novelist Louise Erdrich's use of the magical-realist technique in an attempt to harmonize the mythic and modern conceptions of reality represented by the Native American and Euro American subjects, respectively. The article demonstrates that in an attempt to seek a way possible to intertwine the two cultures, to wed the Native and the European ideologies of the world into accommodative space and to strike out the all-pervasive differences between the two people inhabiting the same land, Erdrich delves into the structuring principles of each culture's conceptualizing and internalizing the reality and the faith in it, and presents them as simultaneous albeit contrary versions of the same events, suggesting the possibility of simultaneous and harmonious co-existence of the two views, each retaining its essential outlook and yet respecting and accommodating the other. Employing Bower and Paula Gunn Allen's theoretical postulations of magical realism as a particular discourse embedded in the mythic and cultural beliefs of the Native American subjects, the article explores the mythic and modern formulations of female identity in Native American magical-realist fiction Tracks.

This study discusses Native American woman's experience of existential outsideness, which is caused by the Euro-American legislative act as represented by Louise Erdrich in her novel Tracks. This research analyzes the role of the Dawes Act of 1887 in triggering the experience of existential outsideness among the Native Americans in general and Native American women in particular. Through Edward Casey Ralph's phenomenological perspective on the notion of spatiality, the study reinterprets the representation of space and place in Louise Erdrich's Tracks. The study offers a spatial reading of a Native American woman's life to explicate how she confronts the issues related to the confiscation of her ancestral lands that trigger her experience of existential outsideness to her land. The study concludes that Euro-American policies of acculturation and assimilation thwarted spatioexistential experiences of Native American women.

With the theory of Moss and Dyck, this study discusses Diane Glancy's The Reason for Crows to understand the insinuations of sensuous geography. This study maintains how in the wake of out-of-place identity within Native American space, Glancy uses sensory experiences as material practices to counter a sense of out-of-placeness. Such multisensory experiences help her native characters locate themselves in both the textual and Native American space. This study explores Diane Glancy's The Reason for Crows not only to find out the reasons due to which the Native Americans develop an acute sense of out-of-placeness within Native American spaces but also the geographies of illness and disability to investigate how Native Americans create and contest their space and place.