The research attempts to evaluate the depiction of women's oppression in specific postcolonial contexts at the hands of the interlocked power pattern formed by manifold factors like patriarchy, class conflict, religion, ethnicity and imperialism in the selected poetry of the renowned Pakistani poetess Fehmida Riaz, the Latino American Poetess Pat Mora, and the Japanese poetess Sanbonmatsu. It applies the theory of Postcolonial Feminism to bring to the fore the oppression of postcolonial women at the intersection of gender, class, race, religion and culture, hence, offering a critique of Western Feminist discourse and its slogan of sisterhood, which tends to erase heterogeneity in women's situations across the globe. The theory of Third World Feminism as well as the portrayals in these poetic compositions from a variety of postcolonial social formations, highlight the fact that postcolonial women are not a monolithic and archetypal suffering category as presented in Western discourses; instead, their resistant agency and subversive subjectivity also stands at the center of their creative writings.

This paper investigates how Hosain's Sunlight on a Broken Column presents the oppression of women in the socio-political and cultural contexts of the Indo-Pak society. Patricia Collins's views of intersectionality and matrix of domination and Wrede's concept of agency serve as a theoretical framework for this research. Intersectionality works through a matrix of domination that includes four domains of power: structural, disciplinary, hegemonic and interpersonal, which further serves to organize, regulate, maintain and internalize oppression. The study is significant as it intends to unravel the fact that in Sunlight on a Broken Column, gender is not the only factor causing subjugation. Oppression keeps on multiplying with the inclusion of several aspects of individual identity in general and female identity in particular, including age, color, creed, religion, race and sexual orientation. The research establishes that despite intersecting forces of suppression, there still is room for the female agency as the character of Laila foregrounds the fact that the existing situation can be challenged and reverted by few individuals found inside the suppressed groups.