References

• Armstrong, S. H. (1984). Paul Scott: ‘a writing purpose’ [Doctoral dissertation, Durham University].
• Ashton-Griffiths, R. (2015). Paul Scott’s Hippie and Hanging On [Doctoral dissertation, University of East Anglia]
• Brown, J. M. (1985). Modern India. Oxford: Oxford University Press
• Di Leo, J. R. (2023). Contemporary Literary and Cultural Theory: An Overview. Bloomsbury Publishing Plc, pp. 283
• Dogar, Z. A., Sajid, A., & Khan, M.R. (2019). White Woman’s Burden: A Critique of White Women’s Portrayal in Selected Postcolonial Fiction. Global Social Sciences Review, 4(3), 326- 331. https://doi.org/10.31703/gssr.2019(IV-III).42
• Fanon, F. (1967). Black Skin, White Masks. New York: Grove
• Goonetilleke, D. C. R. A. (2007). Paul Scott's Later Novels: The Unknown Indian. Modern Asian Studies, 41(4), 797-847. https://doi.org/10.1017/S0026749X06002381
• Haswell, J. (2000). Advancing the Dialogue: Reading Paul Scott’s “Raj Quartet”. Studies in the Novel, 32(1), 70-77. http://www.jstor.org/stable/29533372
• Hickman, M. J. (2005). Ruling an empire, governing a multinational state: The impact of Britain’s historical legacy on the contemporary ethno- racial regime. Ethnicity, social mobility, and public policy: Comparing the US and UK, 21-49.
• Huggan, G. (1997). Prizing “Otherness”: A Short History of the Booker. Studies in the Novel, 29(3), 412-433. http://www.jstor.org/stable/29533224
• Ilcheong Yi et al. (2023) Encyclopedia of the Social and Solidarity Economy, Edward Elgar Publishing Limited, UK/USA. Pp 83
• Klages, Mary. (2017). Literary Theory: The Complete Guide. Bloomsbury Publishing Plc, UK. 132.
• Liebregts, P. T. M. (1993). “Mingling on the Lawn”: The Impossibility of Contact in the Work of Paul Scott. Brill, vol. 11, pp. 35-50. https://doi.org/10.1163/9789004484788_005
• Macaulay, T. B. (2015). Minute, dated the 2nd February 1835. Islamic Studies, 54(3/4), 237–248. http://www.jstor.org/stable/26393680
• Pugh, J. M. (1993). Belonging and not Belonging: Understanding India in Novels by Paul Scott, Ruth Prawer Jhabvala and VS Naipaul [Doctoral dissertation, Queen Mary University of London].
• Rajeswari, S. (2017). Brutality and Corrupt in Paul Scott’s The Towers of Silence. International Journal of English Language, Literature in Humanities, 5(9), 1033-1043
• Said, E. (1978). Orientalism Random House. New York.
• Said, E. W. (2012). Culture and imperialism. Vintage.
• Scott, P. (2013). Staying On: a novel. University of Chicago Press.
• Seeman, M. (1959). On The Meaning of Alienation. American Sociological Review, 24(6), 783-791. https://doi.org/10.2307/2088565
• Sen, I. (2002). Woman and Empire: Representations in the Writings of British India 1858-1900. Orient Longman.
• Srivastava, A. (1988). The Pageant of Empire: Paul Scott's The Raj Quartet and Related Versions of Imperialism in the Anglo-Indian Novel [Doctoral dissertation, McMaster University].
• Swinden, P. (1980). Paul Scott: Images of India. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-16404-2
• Wijesinha, R. (2006). Illusions under an Alien Sky: Paul Scott’s precursor to the Raj Quartet. Sabaragamuwa University Journal, 6(1), 35-49. https://doi.org/10.4038/suslj.v6i1.1688